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Showing posts with label Book publishing. Show all posts
Showing posts with label Book publishing. Show all posts

Monday, June 23, 2008

The Man From The Alamo

The Man From The Alamo

John Humphries' “The Man From The Alamo” does not have much to say about that historic conflict, indeed Davy Crockett is only mentioned once, briefly, on page 91. What it does have to say, however, goes a long way toward answering some of the most intriguing questions about John Rees, a great Welsh-American and man of mystery. Much more can now be said of him than was possible before Mr. Humphries' painstaking research.

John Rees ( a.k.a Jack The Fifer ) was born in Merthyr Tydfil in 1815 and died in Hornbrook, Northern California in 1893 . Sometime before he was twenty he immigrated to the United States. He was 20 years old when he volunteered for service with the Second Company of the New Orleans Greys in October 1835. Born of working class parents in South Wales in the early 19th century it is likely that he endured the almost obligatory period of child labour in one of the many local collieries or Ironworks . Given that he was an accomplished fife player it is also possible that he saw some military service with the British army in his teens.

He took part in the siege of San Antonio De Bexar in 1835, and fought at the battle of Coleto Creek in 1836. Following the capture of Colonel James Fannin's command after the battle he was one of only 28 survivors of the infamous Goliad massacre in which more than 300 Texan prisoners were killed. He was later recaptured and spent the rest of the war as a prisoner . After the Mexican defeat at San Jacinto he was released in April or May, 1836. Upon his release he rejoined the army and was honourably discharged later that same year. The traditional account of his subsequent activities has been largely undermined by the books author. It was long thought that John Rees collected his back pay and land-bounty entitlements and returned immediately to Wales where we know that he was employed as a mason at the Tredegar Ironworks in 1839. The book adduces substantial evidence to suggest that John Rees claimed not one, but several land bounty entitlements and that he spent the better part of two years actively “swindling” the infant Republic of Texas which he had recently fought so bravely to establish. Lest anyone should think any the less of him for this, it must be pointed out that he was not alone. Submitting bogus land bounty claims was a very prevalent and fashionable vice amongst ex-soldiers of the Republic at this time; rather like cocaine abuse in the 1980's and wife-swapping in the 1970's.

Upon his return to Wales Rees almost immediately became involved in the Chartist movement which at that time was agitating for the acceptance of the famous Six Points listed below (1). He played a key role in the bloody events of the 4th of November 1839. It lies beyond the scope of this review to recount the details of the rising but the following link may help with the background details:- The Newport Rebellion 1839. There are almost as many theories concerning the intentions of the marchers at Newport as there are books on the subject. Some of the most important works are listed in the footnotes (2). Mr Humphries book seeks to examine the events from the perspective of the role they played in the lives of two of the leading participants. More than fifty percent of the book deals with the life of Zephaniah Williams, a prominent Chartist leader, and the chapters dealing with his subsequent trial and transportation are indeed fascinating but the major premise of the work is that it was John Rees who assumed the mantle of leadership at the key moment on that fateful day.

There has been much debate concerning the intentions of the marchers. It has been suggested that the original plan for an armed insurrection had been amended and that nothing more than a peaceful demonstration was intended. If so, did John Rees acquiesce in the change of plan? Did John Rees fire the first shot at the Westgate and if he did was he acting unilaterally or with the full premeditation of the other Chartist leaders? What is certain is that he was at the head of the column as it approached the hotel and that he was accompanied by a hundred or more men armed with muskets, shotguns and assorted firearms ( most of the marchers were armed with pikes). It was John Rees who , pistol in hand, demanded the release of the Chartist prisoners held within , a demand which precipitated the bloody melee in the hotel foyer. This in turn prompted the soldiers secreted in the hotel lobby to throw open the shutters and fire into the tightly packed crowd in the street outside.

Whatever his intentions, his actions led to a charge of high treason being brought against him and a reward of one hundred pounds being offered for his capture. John Rees escaped to Newfoundland and subsequently to an unknown location in Virginia thus avoiding the awful fate of John Frost, Zephaniah Williams and William Jones who were captured, tried, found guilty of high treason and ultimately transported to the British penal colonies in Tasmania. The details of his escape are recounted by none other than John Rees himself! In 1841 he wrote two letters to the editor of the Cambrian newspaper in west Wales. They were not published until 1844 . Humphries quotes extensively from these letters and it is from them that we know that Rees settled in Virginia for a period of five years where he stayed with unidentified friends.

In 1846 we find him back in Texas serving with the military; this time with the Texas Rangers. It is highly likely that he was captured and subsequently released at a very early stage in the U.S-Mexican War of 1846-48. He emerges in late 1846 in Matamoros, Mexico doing one last "shady" deal which involved the sale of his last remaining land donation certificate. This transaction was fraudulent because the certificate in question could not legally be sold during the recipient's lifetime.

For the rest of his life Rees almost certainly lived in Northern California to which he was drawn by the initial fervour of the California gold rush. At some point he became an American citizen and he appears on both the 1870 and 1880 census. He died of natural causes in Hornbrook in 1893.

In conclusion it must be said that John Humphries has written a very powerful book about two extraordinary men. John Rees was a great Welsh-American who was a hero, of sorts, on both sides of the Atlantic. His remarkable penchant for placing himself in difficult and dangerous situations was only matched by his genius for self-preservation. It is to be hoped that much more remains to be discovered about the life of this colorful and admirable character.

The book may be purchased here.

FOOTNOTES

(1) This version of the Six Points is taken from a contemporary leaflet featured in British Working Class Movements: Select Documents 1789-1875 edited by GDH Cole and AW Filson (Macmillan, 1951).

1. A VOTE for every man twenty one years of age, of sound mind, and not undergoing punishment for crime.
2. THE BALLOT.--To protect the elector in the exercise of his vote.
3. NO PROPERTY QUALIFICATION for members of Parliament—thus enabling the constituencies to return the man of their choice, be he rich or poor.
4. PAYMENT OF MEMBERS, thus enabling an honest tradesman, working man, or other person, to serve a constituency, when taken from his business to attend to the interests of the country.
5. EQUAL CONSTITUENCIES, securing the same amount of representation for the same number of electors,--instead of allowing small constituencies to swamp the votes of larger ones.
6. ANNUAL PARLIAMENTS, thus presenting the most effectual check to bribery and intimidation, since though a constituency might be bought once in seven years (even with the ballot), no purse could buy a constituency (under a system of universal suffrage) in each ensuing twelvemonth; and since members, when elected for a year only, would not be able to defy and betray their constituents as now.

(2) Two of the most important and recent works on the Chartist Rising.

"South Wales and the Rising of 1839" Ivor Wilks University of Illinois Press 1984 ISBN 0-252-01146-5

"The Last Rising: The Newport Chartist Insurrection of 1839" David J. V. Jones University Of Wales Press; New edition (March 28, 1999) ISBN 070831452X

Sustainable Living Articles @ http://www.articlegarden.com

About Ceri Shaw-6385:
Ceri Shaw is a 49-year-old American citizen who immigrated from Wales in 2001. He has a B.A. ( Hons ) degree from Cardiff University in Philosophy and History and a British postgraduate teaching qualification ( P.G.C.E.F.E. ), as well as training in web design and maintenance and Linux server administration. His interests include but are not limited to Welsh history, Literature, Hill-Walking, WebSite Design and Maintenance, Linux and Politics. He is a regular contributor to Americymru.com

Saturday, June 21, 2008

The High Cost of a Six-Figure Book Advance

Author: G.Entp7
The six-figure book advance, like the New York Times bestseller, is the object of many a writer’s fantasy. Whether it’s also a realistic goal is something else again.
*Can you really get a six-figure book advance?*
When Susan Page wrote *The Shortest Distance Between You and a Published Book* in 1997, she included the following list of the qualities that you and your book have to have if you’re going to get a six-figure advance.
1. Your book is on a topic of wide general interest that could excite a large number of readers.
2. Your book has a distinctive angle and makes an original contribution to its field.
3. You have substantial credentials to write on this topic OR you have a co-author who does, OR you can get an extremely famous, well-credentialed person to write a foreword for you.
4. You have prepared an extraordinary proposal and are working with a competent editor already.
5. You have a show-stopping title.
6. You secure the services of a well-known, experienced agent who believes the book can earn such an advance.
7. You are both willing and able to promote your book on radio and TV and in print.
This is not a mix-and-match list. You have to have *all* of those things to get the big advance, unless you are an international celebrity or a best-selling author.
Page’s aim was to deflate unrealistic expectations. Her book aims to get you into print, not necessarily to get you rich. Most authors do not get rich from their books. Most publishers don’t get rich either. Book publishing is an industry in which there is very little profit. If authors get rich, it’s usually because having a book lets them sell expensive services and book high-paying speaking gigs.
*You can get a six-figure advance, but it will cost you.*
And I don’t mean the $197 price tag on Susan Harrow’s new e-book, Get a Six-Figure Book Advance. A $200 investment is nothing if it gets you a $200,000 return. Using the proposal template/software included with her $197 e-book, you’ll be able to produce the kind of proposal that will have publishers in hot pursuit—but getting the advance requires a whole lot more than just buying the book or even having all the right elements in your proposal.
*If you want a six-figure book advance, you’re going to have to work for it.*
Susan Harrow, jokingly known as a "de-motivational coach," doesn’t try to pretend otherwise. In her August 4th teleclass, co-hosted by ghostwriter Mahesh Grossman of the Authors Team, she made it clear just how much work goes into getting a six-figure advance, and how long and hard you have to keep working *after* you get the money.
*How advances work*
In order to persuade publishers to pay you $100,000 or more before your book is published, you have to convince them that your book will sell at least 100,000 copies. (Your royalty will be about $1/book for a trade paperback, possibly as much as $3/book for a hardcover, so you do the math.) And since books don’t sell themselves, what you’re really saying to the publisher is that *you* can sell those 100,000 copies.
Yes, a publisher that invests that much money in you will also invest more in the production and marketing of your book than in someone who gets a smaller advance, but when you get right down to it, no one really buys a book because of its publisher. And your book won’t sell just because it’s a good book. People rarely buy non-fiction books for the quality of the writing. They buy for the quality of the information—and in the mind of the public, that depends on the expertise and reputation of the author. It all comes back to you.
*How do you get readers to think of you as an expert?*
First, they have to know you exist. If you’re not already a celebrity, you’re going to have to become one, or at least put up a convincing show. If you don’t have legions of fans, you should at least have thousands of subscribers to your e-zine or blog, or a syndicated column in a newspaper. If you haven’t been on Oprah or The Today Show yet, radio interviews and local TV news programs are a good start.
*Getting into the public eye*
To get visible enough fast enough, you probably need a publicist, which means shelling out several thousand dollars. In order for media attention to do you any good, you have to look good and sound good every time you appear. That means getting professional media coaching before you start lining up interviews to make up for not being a celebrity. You need to arm yourself with a repertoire of sound bites for all occasions and rehearse until you can spout them in your sleep.
That doesn’t just take money, it takes time. It takes *work*. And no one can do it for you, either, because you, as the author, have to be the one in the limelight.
*Editing is essential for a killer proposal.*
Media coaches and publicists aren’t the only team members you’ll have to enlist if you want a six-figure advance and a book that justifies it. The services of a professional editor are essential for both your proposal and your finished book. In fact, you might just want to hire a ghostwriter and get it over with, because you’re probably going to be too busy marketing to write.
That’s more money spent in advance of getting your advance.
*Post-publication publicity*
You’re not through yet, either. Now that you’ve gotten enough media attention for yourself to impress a publisher, you have to do it over again for your book. You’re going to have to shell out a good-sized chunk of that advance on your own publicity efforts. More and more publishing houses assume that your advance *is* the marketing budget for the book, so they expect you to spend your own money on getting the book sold. (Tip: when mentioning this in your proposal, always make the offer contingent on the publisher matching the amount.) This expectation actually holds true regardless of the size of your advance, but the more money you want to get, the more money you have to spend.
*Six-figure advances are not for the faint of heart*
Writing a good book is the least of the challenges facing you when you set out to get a six-figure advance. Moreover, if you *don’t* earn out your advance by actually selling 100,000+ books, your chance of getting such a large advance again are nil. To succeed when the stakes are this high, you need to become an Olympic athlete of a book marketer. That can be hard to do if you have a day job or a family, never mind both. And it’s almost impossible if you don’t have a substantial chunk of starting capital.
*Do you really need a six-figure book advance?*
For many authors, five figures are plenty, especially for a first book. Even if it loses money, that book will create the leverage the author needs to succeed in other aspects of her business. (That’s one reason self-publishing can be such a good option for business book authors.) Getting a smaller advance still takes work and costs money, but it’s a much more manageable goal for a first time author without fifty grand to invest in getting into the bookstores.

This article is free for republishing
Source: http://www.a1articles.com/article_492275_58.html